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| Legacy Archived Main Board Business chat and general industry chat. All participation is welcome. Dont post your fucking spam here. |

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#1 |
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Head CheeseMonger
Join Date: Aug 2007
Posts: 1,069
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Paul, Griffin:
I think you both have valid points, but I also think you both have some things wrong. The RIAA did a lot of its own damage, in part because it has LONG pushed mediocrity to the top (payola scandals, anyone?) and freely engages in cultural appropriation with little to no regard for the culture from which it sprang (see: mountain folk, delta blues, and Harlem jazz for early examples of US music industry identity theft; musical progression and exploitation of founders is fairly prevalent and easily recogniseable). Combine this historical approach with a late-80s determination to grab consumer funds at the highest possible rate by doing away with singles at a reasonable price point (and blaming it on technology costs due to the advent of the CD-era), and you have a receipt for eminent disaster. There are a lot of similarities between the industries - from respective consumer missteps (though on markedly different time lines) and reactions to alleviate self-perpetuating problems. Paul, you do good stuff. You have an amazing portfolio, and your tenure in the industry is remarkable. For the last two years, though< I have seen you have an almost word-for-word knee-jerk reaction to problems plaguing us. We can't take the approach that we must change the consumer's thinking - that never works. What we must do is begin thinking in a new way, to provide the consumer something s/he is willing to buy. Sure, the content itself is commoditised almost to the point of being worthless - and we have ourselves to blame to some degree here (HellPuppy and others have made excellent points on this same board about entry costs). The question isn't how do we limit the content at this point - it's not possible, because even if we, as an industry,wrap our material in DRM from here til doomsday there is still a girl out there that's taking pix with her $50 digital camera and posting them online 'cos it gets her off. The question is where do we shift our thinking to make it worth the consumer's hard-earned dollar?
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Sales Babe and General Nerd Be different; get it Wright Wright Stuff Consulting Hit me on ICQ at 353902844 or email me at liz (at) wrightstuffconsulting (dot) com |
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#2 | |
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Fat Fucking Nobody
Want to see your own Advertising Here!
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We are putting the bastards of this world on notice; greed and corruption will always be met with "a voice made of ink and rage." "Never try and be like anyone else" - Hunter S. Thompson "The truth is the truth no matter how you try and package a lie" - Shellee Hale
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#3 | ||||
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Members
Join Date: Jan 2003
Posts: 309
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The problem today is few sites are really worth joining. They are just points to download video content from. There is little to distinguish one site from the next and often one scene from the next. The main reason Tubes get more traffic is they are free. They are also better for the surfer. No joining, no risking your CC details, no spam, no lengthy joins, you can come and grab it when you like and if you don't like one scene go for another, an immense selection in the same niche and genre from different producers. We have been infatuated with the myth that it had to be exclusive and recently it has to be HD. Truth is the opposite. The customers we are losing don't have the patience to see everything, they want 1-3 scenes to get off and get on with the day, they don't care if it's HD. They want the selection and choice. The problem is we don't know how to compete, in general we dream Tubes will close. Yes you are spot on saying we have to find what the customers will buy. I have opened my site and give away a free one hour live show every night. I'm adapting.
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A mix of Amateur, Retro, Teens, UK Porn Stars, UK Page 3 girls and Hairy Pussy. All shot by me in the 80s and 90s. ICQ 213327873, Skype paulmarkham1 |
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