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TeenRevenue Sues RedTube for $40M
TeenRevenue Founder Slaps RedTube With $40M Suit
LOS ANGELES — Kevin Cammarata’s $40 million lawsuit against operators of RedTube may have legs.This part is worth special mention: The suit, filed at Los Angeles Superior Court, also names as defendants Choopa, which hosts RedTube from Sayreville, N.J., as well as numerous blue-chip adult companies that advertise on the tube site.An interesting legal strategy. About time someone formally called these bastards out. |
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They'll never win. Nice try though. |
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Re: TeenRevenue Sues RedTube for $40M
I think he may have problems with jurisdiction wth all the defendants. He could have filed this in US District Court with a copyright claims and perhaps could have avoided the the challenges that will be filed.
This one will be interesting to watch develop. I hope he has something there. |
Re: TeenRevenue Sues RedTube for $40M
That will certainly send some shock waves through the industry. The question is whether it will have anything beyond this initial filing.
It's an interesting strategy to use though I'm not sure how successful it will be with including companies that aren't stealing their content. Not to mention that their lawyers will be taking on lawyers for about a dozen different entities which, I imagine, will be quite the workload to have to deal with as they get deluged with motions upon motions to respond to. |
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I am not sure that Teenrevenue will ever get a dollar for all this, but I suspect they will get redtube shut down at some point. |
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Way to go Kevin.
Instead of being like DGay Erik or XXXJay sitting around crying and beating your cheat youve stepped up to lay the smack down! |
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They get a win on one of the advertisers. The house of cards will fall fast.
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BUT if he can effect the money flow from the advertisers then he Does win |
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Finally a good news :)
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But don't expect it to change the fortunes in our industry. If this case is successful and it stops Tubes using content they don't own or don't have the rights to, there will be some customers returning. But not as many as we lost. There's nothing to stop anyone with content opening a Tube site with content they own, giving it away for free, buying traffic and living off the profits from the adverts. The companies advertising on illegal Tubes will be looking for legal sites to advertise on. Same goes for people like Brazzers. Or anyone with a lot of content that's not making money. Like content providers. So as the industry buys less content it's an option for content providers. Then there are also the Tube sites with 3-6 minute clips, sometimes hosted by the sponsors. These sites will get content so they can sell dating and cam sites. All backed up by sponsors looking for the easy route, even if it kills the business in the long run. There is only one way to get customers to buy. That's give them something they want to buy. In adult it's even more important, because porn customers are repeat buyers. Customers who buy repeatedly have a habit of learning And customers will decide the future of this industry. |
Re: TeenRevenue Sues RedTube for $40M
Actually Paul, the consumer decides only in part - when mob rules mentality runs amok, everyone thinks everything is free. But that can change pretty fast, consider:
http://www.thelocal.se/18770/20090409/ The rules changed in sweden recently, that makes downloading music from pirate sites (like TPB) risky - basically, you can be tracked down and found liable very easily now. Well, suddenly, paid downloadable music is seeing massive growth. I wish some people in the porn business would wake up. |
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Yes Alex the customer can only buy what he can afford, wants and is available. But he's still king of this castle.
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Take the profit margins out of running any kind of Tube and they sink. Quote:
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Seriously, the RIAA marginalized talented musicians because talented musicians may or may not sell records, and they are generally a pain in the ass to deal with (read: they won't just sign an ass-fucking of a contract with a big goofy grin on their faces) in favor of cookie-cutter bullshit they could easily just "recruit" (read: idiots that look good but have no talent) and "polish in the studio" (read: Autotune + dance lessons) The music industry is suffering just as bad, if not worse, than the porn industry because they just don't fucking get that people will NOT spend $20 for a CD that includes ONE decent song and a bunch of crap - especially when that ONE song is questionable, at best... Just my $5.73 (two cents, adjusted for inflation...) |
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One of the reasons they are reluctant to sign bands who are on the edge of making a profit is because their profits are slashed by the piracy. Music piracy is rife so it seems these albums that are so bad are worth downloading for free. The part of your statement about cookie cutter bullshit also shows how young you are. They have been doing this since the 50s. I don't know about before because I'm only 58. Your post is one of the typical ones to justify theft. The reason people steal is because they think they can get away with it. They never care about the people they hurt. Recently a friend of mine lost his job in the music industry, because of piracy, he also is now bankrupt and has lost his house. Is that his fault or the people who decided to steal instead of buy? Also many of the greatest bands of the 20th Century are suffering from piracy. So it seems thieves don't just steal the bad, they steal the great as well. The power of the consumer is in the fact that he can direct and shape and industry by buying what he likes. When he stops buying he has no say in what direction that industry takes to keep as many people in work as possible. |
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2) I'm a music history and music theory buff, and play several instruments. I recognize cookie cutter bullshit everywhere in rock music. Chord progressions that have been beaten into the ground, melodies that are anything but, bands that self-copy (Nickelback, anyone?), bands that copy other bands (Def Leppard/Nazareth ripoff back in 1988), it goes on, and on, and on, and on. Quote:
The culture of illegal downloading developed back then because people were sick of buying CDs because of a single they heard, and finding out that single was the only song worth hearing on the CD. There were no other options for checking out the album beforehand in the mid 90's, unless you were lucky enough to have a local record shop that still accepted returns. Again, I don't condone it, but I see why it happened. Quote:
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Just because an industry does not produce what some want and for the price they want it does not give them the right to steal it. It's too easy to say "This is not worth buying, so I will steal it to teach them a lesson." Because the proof is the opposite. As a musical historian you will know that some of the best Rock music was produced in the late 60s and 70s. But these titles are still being stolen. They steal the best and does that "It's not worth it." excuse include some of the greatest rock stars ever? Yes industries carry on and that was glib. Come and say that to my friends face. He lost his job and home because for the industry to carry on it had to trim down. He would love to hear your excuses. |
Re: TeenRevenue Sues RedTube for $40M
And if it's right for people to steal, or in your words can see how it happened, it's also right for the pirates to be tracked down and sued. When hundreds of them are getting letters in the post asking them to appear in court or pay a fine, which is funnelled back to sue more, then piracy will decrease.
When companies are sued for advertising on sites that promote theft they will stop advertising and the problem will diminish. Because the piracy industry is not just a bunch kids trying to get a free record, program or what ever. It's an industry making money. From Paypal, to Brazzers, to AFF. Try and steal off them and see how they would like it. It will diminish because with out the companies behind them to pay for the sites the sites will diminish. |
Re: TeenRevenue Sues RedTube for $40M
Paul, Griffin:
I think you both have valid points, but I also think you both have some things wrong. The RIAA did a lot of its own damage, in part because it has LONG pushed mediocrity to the top (payola scandals, anyone?) and freely engages in cultural appropriation with little to no regard for the culture from which it sprang (see: mountain folk, delta blues, and Harlem jazz for early examples of US music industry identity theft; musical progression and exploitation of founders is fairly prevalent and easily recogniseable). Combine this historical approach with a late-80s determination to grab consumer funds at the highest possible rate by doing away with singles at a reasonable price point (and blaming it on technology costs due to the advent of the CD-era), and you have a receipt for eminent disaster. There are a lot of similarities between the industries - from respective consumer missteps (though on markedly different time lines) and reactions to alleviate self-perpetuating problems. Paul, you do good stuff. You have an amazing portfolio, and your tenure in the industry is remarkable. For the last two years, though< I have seen you have an almost word-for-word knee-jerk reaction to problems plaguing us. We can't take the approach that we must change the consumer's thinking - that never works. What we must do is begin thinking in a new way, to provide the consumer something s/he is willing to buy. Sure, the content itself is commoditised almost to the point of being worthless - and we have ourselves to blame to some degree here (HellPuppy and others have made excellent points on this same board about entry costs). The question isn't how do we limit the content at this point - it's not possible, because even if we, as an industry,wrap our material in DRM from here til doomsday there is still a girl out there that's taking pix with her $50 digital camera and posting them online 'cos it gets her off. The question is where do we shift our thinking to make it worth the consumer's hard-earned dollar? |
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But I would greatly appreciate it if you'd quit with the straw man here. As I already stated, I am vehemently anti-piracy. It does hurt the industries it touches, whether that be record companies, porn producers, software developers, or movie studios. Being able to objectively analyze the situation and go "yeah, I get how this happened and why it came to this" is not the same as supporting the end result. For fuck's sake, dude, I'm a musician. I've released records with several bands before I got out of the gigging thing, and it irritates the hell out of me that we barely recouped the cost of recording because some chucklehead handed out copies to his friends rather than encourage them to buy their own. But it's been going on since the advent of cassette tapes. It's more prolific now, but it's nothing new. You adapt to the state of the marketplace, you survive, you don't, you die. |
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The problem today is few sites are really worth joining. They are just points to download video content from. There is little to distinguish one site from the next and often one scene from the next. The main reason Tubes get more traffic is they are free. They are also better for the surfer. No joining, no risking your CC details, no spam, no lengthy joins, you can come and grab it when you like and if you don't like one scene go for another, an immense selection in the same niche and genre from different producers. We have been infatuated with the myth that it had to be exclusive and recently it has to be HD. Truth is the opposite. The customers we are losing don't have the patience to see everything, they want 1-3 scenes to get off and get on with the day, they don't care if it's HD. They want the selection and choice. The problem is we don't know how to compete, in general we dream Tubes will close. Yes you are spot on saying we have to find what the customers will buy. I have opened my site and give away a free one hour live show every night. I'm adapting. |
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